Industrial photography.
Production running, plant in detail and the people who operate it. In live operation, without stopping the line.
Send an enquiry →A factory floor is the hardest room there is
In a production hall the light arrives from three sources at once and all three are a different colour. Daylight through the sawtooth roof, fluorescent or LED from the ceiling, and then the orange of a weld or the blue of a screen. Photograph that on automatic and you get green faces and grey machines, which is exactly what most industrial pictures look like.
So I meter area by area and add my own light wherever safety allows it. The second point matters more and has nothing to do with equipment. Pictures of an idle machine sell nothing, because a buyer wants to see the plant running and somebody who has mastered it. So I photograph people at work, in safety glasses, in gloves, eyes on the workpiece, and I keep to your rules rather than bending them for a photograph.
What comes out of the session
The shoot
On location, in the studio or outdoors. I bring light where there is none.
More →PhotoPost production
Colour, contrast and retouching. Cropped and ready for every channel.
More →3DWhen the product does not exist yet
A rendering instead of a photograph, built from engineering data. Every variant without a sample build.
More →MarketingWhat comes after
Website, advertising and social media. The part that comes after the images.
More →How a session runs
The conversation
A short call about what it is, what it has to achieve and by when. Then you get a fixed price.
The work
I do it. You get progress along the way, no surprises at the end.
Delivery
Finished material in every format you need, usage rights included.
Production worth showing?
Tell me briefly which boats and which water it is about. You get a personal answer with a proposal and a fixed price.
Send an enquiry →
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